Got the quilt top done and am now quilting away. Here's a close up so you can see how the bicycle track was finally done and how it looks on the snowy background.
I just had reason to revisit this piece and thought I'd post it for all to enjoy. This is a detail of a quilt done entirely on the embellisher (dry felting machine). There is no thread at all. This is a flexible way to work and nothing visually breaks up the blending as thread sometimes does.
I've been experimenting with the bike track to run through the snow in Christmas Morning. I did several sketches of the tires on my husband's bikes. Then I tried three different approaches with felt, paint transfer, stitching and burning to create a fairly realistic image. Here are a couple of samples. I chose the surface I liked best (the upper one) and have decided to do much less burning away of the felt. I'm also going to add a couple of tiny bits of color just to spice it up. It's really important to do a lot of experimentation to be sure that many approaches are considered. These two are fair but not 100% what I want. Should have it by the end of the day!
Yesterday we were in Carlsbad, California, for the opening of an exhibit of art quilts by Southern California SAQA members. I was happy to have my quilt, Harmattan I, the first in the Violent Winds series, juried in and to see so many friends and their great work as well!Stop by this month if you are in the area.It also feels wonderful to be back in the art groove after almost two months of traveling, being under the weather and then a massive computer disaster - pix of work over the last 7 months lost forever. Tan, rested and FOCUSED!!
In a most unseasonable manner I am working on a piece about winter called Christmas Morning. I have just gotten the ground fabric designed to be as varied and reflective as snow - something with which we are NOT intimately familiar here in Southern California near the beach! The photo doesn't really capture the sparkliness of the whites, but it does glisten.
We'll be all over Denmark and then a side trip to St. Petersburg, Russia, till mid June. Looking forward to visual stimulation! Even with the new iPhone I don't expect to be posting (or checking email). Being disconnected sounds more vacation-like!
Another Contemporary Embroidery. This one represents the creation of the earth's surface where the lava meets the sea. It took MANY iterations to get the result I wanted but I think this now tells the story.
For a Quilts on the Wall challenge I've begun working on a piece about Cerberus, the guardian of the Gates of Hell. This is the finished ground cloth. Let's see where it goes from here...
This lamination is a card I did from a design on paper my friend Susan Willen made. I applied it to some fabrics I'd dyed and printed then drew on it to enhance the forms.
I was very pleased to learn today that Daylily has been accepted for publication in The Studio Art Quilt #6: State of the Art put together by Sandra Sider. The book should "drop" at the end of this year and will contain the work of 60 American art quilters. My piece is unique in that it was made entirely on the embellisher machine which needle felts and uses NO thread nor stitching at all. It is raw edge applique and the requisite three layers with batting inside. It was made originally for the Noble Seasons series with which it toured, and represents Summer.
This example of my contemporary embroidery is done on green felt. It has been foiled, stitched, appliqued with yarns, metals, Tyvek, etc., then burned out to add a more random, organic feel. It is about the odd beauty in the orphaned items which wash up onto our shores and into our waterways.
This is an "art quilt" but it is really about the surfaces. The underlying layer - salmon colored - is a piece of art cloth which I created by dyeing and over-dying with several mechanical resists (sort of crude shibori). Then I printed/painted and foiled it. The over-layer is black felt onto which I applied painted WonderUnder. I foiled that surface and then adhered a large piece of scrim I'd dyed. It is all quilted onto batting and a backing to stabilize the piece. I'm going to make another one using just a version of the top layer as I love the way the light plays off the foil on the otherwise very absorbative ground.
This is the sixth quilt in my Hot Winds Series: Brickfielder. The unusual name comes from the fact that this searing wind blows the red dirt from the Australian Outback (Bight) into towns to the south, covering everything with a thick, brick-colored dust.
Wood Cells, which is part of the SAQA Art Meets Science exhibition, is BACK in Europe! It is at Quilt Expo Beaujolais in Graves sur Anse this weekend. Wish we could all be there sipping some of that fine French wine and enjoying the show!
I've been experimenting with laminating on various ground fabrics: wool, linen, handwoven cotton and commercial cotton. Here are some examples in preparation for several workshops I will be conducting. WAY fun!! Remember - you can click on any blog images to enlarge them for a close up view.
Here's a recent piece I finished. There is, in fact, an underlying layer of laminated paper then some painted WonderUnder. Beyond that I have stitched a variety of cool stuff, added some paint and burned the edges (I seem to be painting with my fingers lately; isn't that something we did in kindergarten???). It is mounted on painted canvas. Any ideas for a title?
I will be offering a workshop on lamination of paper to fabric on March 23 at FiberFly Studios in Palos Verdes, CA. If you aren't already on my email list and wish to have an invitation, please contact me at FiberFly@cox.net for details. The announcement will be going out this Wednesday, February 16. If you scroll through the posts on this blog since early January you will see lots of samples of the kinds of lamination we will be working on in March. We will be focusing on visually integrating the applied paper to the overall design of the finished work. If you have special fabrics: hand dyes, prints or left overs from other projects, consider adding a whole new dimension to them at this workshop.
Well, a funny thing happened on the way to the Wall. I rented a painting studio and decided to paint the Follow Along. So, on a whole different note, we go from the collaged base of tissue and laminated papers to acrylics applied to the copper netting I'd placed over it all. Collage, yes; painting, yes. You just never know. I've always aspired to be an abstract expressionist painter and at this "ripe old age" am getting closer and closer to the dream. No Sunday painter in the park here!